In Athens, it is glaringly clear that this crisis is local and global and, as suggested in Niemandsland’s installation Air and Nothing at OpenShowStudio, environmental, geographical, and material, too. A group exhibition investigating notions of “pseudoscience and contingency” with visual references to industrialism, (post)-Fordism, and the mechanism, the installation showed the crisis to be one also driven by the acquisition of land, energy, and natural resources. …. Text / Stephanie Bailey