“Hockender weiblicher Rückenakt”

“Hockender weiblicher Rückenakt”

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George Grosz was known for his satirical and critical depictions of German society during the early 20th century. He was a prominent figure in the Dada movement and later became associated with the New Objectivity movement.  Grosz's works often depicted the corruption, decadence, and hypocrisy of the Weimar Republic. Sharp lines, exaggerated figures, and grotesque imagery characterized his drawings and paintings. Grosz's art was highly political and reflected his disillusionment with the social and political climate of his time.  He used his art as a form of social critique, exposing the inequalities and injustices of German society. George Grosz left an indelible mark on the art world with his provocative and politically charged artworks. His ability to use satire and caricature to expose society's flaws resonates with audiences today.

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