The work of Avelino Sala is inscribed in the social context of crisis fostered of late capitalism, where mankind wander searching for a balance, any response that could give meaning to the present global situation. His works are manifestations of resistance which, ironically set out how one can take a critical stance of questioning and opposing to reality from the visual art and its system of thought. Mirror Stage appeal to the Lacaninan conception of an “I”, present two confronted images in each piece displayed on feathers. Real images of current disasters are confronted to pictorical or stereotypical images far away from reality.